- The McClymonts perform live
- 'I'm in deep trouble here'
- Matthew's incredible Will to Live
- Cold enough for you?
- HIV on the rise in Australia
- Meet Skippy, the white kangaroo
- 'The whole world is a men’s room'
- Council gets tough on tagging
- RSS Syndicate this blog (XML)
What we're talking about
- CHRIS WATTS on Cold enough for you? WELL IT IS WINTER AFTER ALL.....WHAT IS THE PROBLEM.... more
- Gazza on Meet Skippy, the white kangaroo I pass one most days south of the Mernda pub,big mobs there and whitey stands out like a beacon.. more
- Jo on Jim Keays dies, aged 67 R. I. P. Jim Keayes. Sympathy to his daughter, Russell Morris and many friends. more
- Gloria on Can Pat Panetta dance? Who cares if he is a good dancer or not, he certainly is a good looking bloke, lucky you Amanda. more
- Caroline on Can Pat Panetta dance? Kids will love it for a little while longer...thennnnnnn..........er....."God Dads embarrassing". more
- Maria on Can Pat Panetta dance? Sorry Pat....... The hands are a bit........ Girly more
- Frances Holmes on Can Pat Panetta dance? Amanda may hate the hands, but unfortunately Pat that's all you've got moving! more
- Pedrao on Can Pat Panetta dance? You dance like a typical white boy. As a youth, you'de have no chance on scoring. As an old man; who cares.Ã¯Â»Â¿ more
- Brad on Can Pat Panetta dance? He looks to enjoying himself and looks natural doing it, so who cares if its good or bad dancing. hahahaCheers Brad ... more
- anna on Can Pat Panetta dance? Pat, no you can't dance. We would like to here the music tho so we can see if your in beat more
- Jude on Can Pat Panetta dance? NO Pat - you cant dance - you dance like my husband!!!!:( :( :( more
- H on Dami Im joins Denis Walter Thanks for having Dami on your show. That was a very good interview, Good questions, Good answers. 3AW, please play her ... more
- kerrie on Denis Walter live from New York Hi Dennis went too new york may 2013 with husband had a great time there check out ellens star dust diner and visit the soup ... more
- Tim on Denis Walter live from New York No wonder that lady named Judy didn't recognise the song you sang to her! She may have if you used the correct words Denis! ... more
- Noel on Denis Walter live from New York Great listening to you in New York.I am reliving my visit and taking note of the sights you are seeing and I hope to see, ... more
- Roger on Denis Walter live from New York Dennis I rang you on live radio about the New York Yacht Club next door to the Sofitel but if you get down to Wall St ... more
- di padgett on Denis Walter live from New York go have a baileys milkshake at Bills Burgers Rockerfellar and do the underground tour of rockerfellar more
- Elizabeth Bull on Denis Walter live from New York Hi Dennis, your lucky to be in New York. I was leaving to go there and hurricane sandy hit and l unfortunately had to ... more
- Ahmed on Denis Walter live from New York What's the story with the naked lady, what does she do? more
- kellye on Denis Walter live from New York Denis thank you for you wonderful pics. We are going to be in New York September and your pics are making us very excited more
Jim Schembri's principles of horror films
The fabulous new scare-fest Paranormal Activity 4 employs a huge range of nail-biting horror-movie techniques - some new, nearly a century old. Here are 22 principles the film faithfully obeys and effectively deploys.
Teenagers: Trouble magnets since long before Carrie (1976), they make the best investigators. Also, they scream good.
A Cast of Unknowns: That way you just don't know who's gonna buy it.
Cute Little Kids: What's more disturbing than evil taking up residence inside the innocent? Nothing. (See: The Omen; Children of the Corn; The Innocents; The Bad Seed.)
And Their Imaginary Friends: They're creepy, invisible but, thankfully, not real. Or are they? (See: The Shining.)
Negative Space: Alfred Hitchcock was the master at taking the empty part of the frame and electrifying it with the potential that something awful can happen at any moment. (See: Psycho.)
Misdirection: Lead the audience down the garden path, give them a false sense of security - then pull the rug out from under them. (See: Carrie; Friday the 13th; Misery.)
Stairs: A common feature of most horror-filled homes, chiefly because it keeps the audience off-balance knowing there's a whole floor they can't see. (See: The Exorcist; Black Christmas; The Last Wave.)
Humour: Making light in spook-filled film makes the audience feel all the more engrossed when the jokes dry up and the serious scares hit the fan. (See: Nightmare on Elm Street III.)
Denial: Having at least one person dismiss all the weird goings on serves to raise the stakes when they, too, become embroiled in the proceedings. (See: Paranormal Activity 1.)
Silence: The quieter things are, the more on-edge the audience gets. Because they know it won't last. (See: Creepshow.)
Sudden Movement: It doesn't have to be more than a blur, it just has to be fast. (See: Exorcist III.)
Natural Light: Bad things are supposed to happen in the dark, not in broad daylight. (See: Poltergeist.)
The Haunted House: Big, small, on Earth or in space, home is where the spooks are - and always have been. (See: Event Horizon; The House on Haunted Hill.)
Night Vision: The only thing scarier than what you can't see in the dark is what you can. (See: Silence of the Lambs; 28 Weeks Later; Cloverfield)
Video Verite: Since The Blair Witch Project the ubiquity of video cameras means everything can be recorded from a first-person perspective. So what does that mean? No comfort zone.
Pseudo Scares: A prank by an on-screen jokester still scares the audience, provides a laugh of relief and heightens the tension for when the real ones arrive.
Unseen Activity: What you can't see can be as scary as what you can. Today's hip young filmmakers understand and respect the very same principle those of yore did - that no on-screen depiction of horror can terrify as much as what can be conjured up by the imagination. (See: Rosemary's Baby.)
Bumps in the Night: Sure it's old-fashioned, but nothing jolts like a good, sudden thud. (See: Alien.)
Doors: Just a piece of wood on hinges, but few things generate tension so effectively, especially when opened nice and slowly. Or smashed through with an axe by Jack Nicholson.
Furniture: Can't be trusted ever since that door-slamming chair in The Exorcist. Or that dining set in Poltergeist.
Knives: The one item from the cutlery drawer that deserves a special lifetime achievement award for services to the genre.
I am a gauci
we are family through a connection in canada.
a schembri married my maternal grandfather's sister Lola.
I am sure they are all long gone now; however, I did travel to canada to attend Lola's daughter's wedding to some guy from Gozo (goats according to those from the mainland)
If any of this makes sense to you then you are Maltese, which, depending who you talk to is either a blessing or a curse.
let me know.
And as far as UFOs are concerned, I like Terence McKenna's sentiment:
Looking for intelligent life in the universe by way of SETI is so culture bound that it is like looking for a good italian restaurant on the moon.mark urban Monday 22 October, 2012 - 11:02 PM